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Variety and Chanel’s Women in Film Bash: Ayo Edebiri, Lily-Rose Depp, Michelle Yeoh, Courteney Cox and More Light Up TIFF

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Melissa Rivers on Her Glorious Return to the Emmys Carpet, Remembering Her Mom Joan and Why ‘It’s Been Really Hard’ to Watch ‘Hacks’
Melissa Rivers is returning to the red carpet. Fashion expert and author Rivers — who rose to fame reporting outside awards-shows with her late mother, the comedian Joan Rivers — will be joining Variety co-president and co-editor-in-chief Ramin Setoodeh and CNN correspondent Elizabeth Wagmeister at the two brands’ Emmys pre-show broadcast. On “CNN Variety […]

‘Much Ado About Nothing’ Gets Modern War-Zone Update From Lakeem Rose (EXCLUSIVE)
British writer-director Lakeem Rose, is developing his feature debut, a contemporary adaptation of William Shakespeare’s Much Ado About Nothing, with Canadian producers Plato Fountidakis and Paul Rapovski and Hong Kong-based producer and casting director Mike Leeder. In Rose’s version, the story shifts to a world just after a modern-day war, centering on four returning soldiers […]
Celine Dion Returns to the Stage in Paris With Elegance and Emotion
After more than six years away from the concert stage, singer makes a long-awaited comeback in Paris, in an operatic celebration of voice, movement and the extraordinary bond with her audience
Olivia Wilde Has Entered Her ‘Lack of F-cks Given’ Era
After a period of lying low, the actor and filmmaker returned to the public eye this summer with two hit movies, The Invite and I Want Your Sex . She talks about her creative and personal rebirth

‘The Stunt Driver’ Review: Jay Baruchel Takes a Leap into Tepid Biopic Territory
In The Stunt Driver, Jay Baruchel reteams with his “Goon” director Michael Dowse and takes on a showy lead part as stunt driver Ken Carter, who’s best remembered for a jump he didn’t make: a proposed mile-long leap over the St. Lawrence River in a rocket-powered car. The five years spent on that ill-fated project […]

‘Girl Group’ Review: Rebel Wilson’s Bawdy Pop Comedy Is All Fizz and Little Substance
Toward the end of Rebel Wilson’s “Girl Group,” a fizzy, gaudy clone of “Pitch Perfect” sculpted from the mentor formula of “Bad News Bears,” the movie spirals into an interminable sequence of pop music performances. The song-and-dance numbers are so awkwardly endless that they call to mind the denouement of a very different pop spectacle: […]