I wasn't around to witness the golden age of Martial Arts cinema, but there are moments in Phantom Blade Zero that make me feel as though I've tumbled through a crack in time onto the set of a kung fu film. There's one particular encounter that sticks in my mind. Approaching a group of enemies in a shaded valley, I slowly raise my sword, and the first enemy rushes at me. Fool. I perfectly parry the blow, performing a slow-motion somersault to land behind him and plant my sword firmly in his back. The next guy comes running in, and I kick him in the face while simultaneously stabbing the previous enemy in the throat. A third joins the fray - this one on horseback - so I boot him off his horse, and use his steed to trample his helpless friend into the dust. Then, at last, there is silence. Read more
After Onimusha's focused swordplay, Phantom Blade Zero delivers a sprawling, maximalist action epic

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