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Source: Rolling Stone
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Variety
John Wilson on ‘The History of Concrete’ and What’s Wrong With the Documentary Space: ‘People Are Retelling Stories That Have Already Happened’
SPOILER ALERT: This story contains minor spoilers for “The History of Concrete,” now in theaters. John Wilson’s new documentary “The History of Concrete” is, of course, about the history of concrete. But it’s also about selling a documentary titled “The History of Concrete,” which, it turns out, is almost as hard as concrete. It sees […]
Variety
Box Office: Zach Cregger’s ‘Resident Evil’ Scares Up $26 Million on Opening Day
With fall right around the corner, movie theater-goers are ready to be spooked — and Sony’s zombie horror “Resident Evil” has arrived at the perfect time. “Resident Evil” earned $26.3 million domestically across 3,684 screens on opening day, making it far and away the No. 1 new release on Friday. By Sunday, Sony’s new take […]
PC Gamer2 outlets
'The largest theft of labor in human history:' Court docs reveal Microsoft exec predicted AI 'doom loops' could hollow out the internet
Copilot's answer engine allegedly caused the New York Times' click-through rate to plummet by figures up to 93%.
IGN
IGN's Top-Reviewed Horror Movies of 2026
2026 has been a particularly strong year for horror, but some scares stand out from the pack. These are IGN's picks for the 10 best horror movies of the year so far.
Variety
‘Resident Evil’ Star Austin Abrams on His ‘Tragic’ Transformation, ‘Not Trying to Look Cool’ While Screaming and the One Scene He Wasn’t Allowed to Shoot
SPOILER ALERT: This article contains major spoilers for Resident Evil, now playing in theaters. There’s not a moment in Resident Evil where star Austin Abrams isn’t making you laugh, scream or feel bad for the zombie-infested nightmare his character Bryan finds himself in. For almost the entire 95-minute runtime, he’s either running, shooting or getting […]
Variety
‘Vintage Violence’ Review: Cole Sprouse Heads Up a Hyper-Online Gonzo Freakout in Japan
Eugene Kotlyarenko has built a career on drawing upon his widely-viewed cinephilic base of knowledge to consider more contemporary forms of hyper-online, of-the-moment provocation, and “Vintage Violence” is no exception. As with Kotlyarenko’s arguably best-known film, 2020’s “Spree,” live-streaming is key: “Vintage Violence” introduces obnoxious social media celebrity Carter (Cole Sprouse) mid-stream before quickly spinning […]